Little Black Book of Art

If there is one museum to visit right now, that’s London’s Tate Britain to go and see the work of British artist Henry Moore and Turner Prize winner Chris Ofili.

CHRIS OFILI – (Exhibition runs from 26 Jan – 16 May 2010)

Chris Ofili’s intensely coloured and intricately ornamented paintings are on show at Tate Britain in a major survey of the artist’s career that brings together over 45 paintings, as well as pencil drawings and watercolours from the mid 1990s to today. One of the most acclaimed British painters of his generation, Ofili won the Turner Prize in 1998 and represented Great Britain at the 50th Venice Biennale in 2003.

Ofili has built an international reputation with his works that bridge the sacred and the profane, popular culture and beliefs. His exuberant paintings are renowned for their rich layering and inventive use of media, including balls of elephant dung that punctuate the canvas and support them at their base, as well as glitter, resin, map pins and magazine cut-outs.

Ofili’s early works draw on a wide range of influences, from Zimbabwean cave painting to blaxploitation movies, fusing comic book heroes and icons of funk and hip-hop. For the first time, these celebrated paintings are presented alongside current developments in his practice following his move to Trinidad in 2005. While adopting a simplified colour palette and pared-down forms, his recent works continue to draw on diverse sources of inspiration, and are full of references to sensual and Biblical themes as well as explore Trinidad’s landscape and mythology.

Definite highlights include No Woman, No Cry, 1998, a tender portrait of a weeping female figure created in the aftermath of the Stephen Lawrence inquiry and The Upper Room 1999–2002, a darkened, walnut-panelled room containing thirteen canvases depicting rhesus macaque monkeys. Each is differentiated in bold colours, and individually spot-lit.

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HENRY MOORE – (Exhibition runs from 24 February 2010  to 8 August 2010

Radical, experimental and avant-garde, Henry Moore (1898–1986) was one of Britain’s greatest artists. This stunning exhibition takes a fresh look at his work and legacy, presenting over 150 stone sculptures, wood carvings, bronzes and drawings.

Moore rebelled against his teachers’ traditional views of sculpture, instead taking inspiration from non-Western works he saw in museums. He pioneered carving directly from materials, evolving his signature abstract forms derived from the human body. This exhibition presents examples of the defining subjects of his work, such as the reclining figure, mother and child, abstract compositions and drawings of wartime London.

The works are situated in the turbulent ebb and flow of twentieth-century history, sometimes uncovering a dark and erotically charged dimension that makes us look at them in a new light. The trauma of war, the advent of psychoanalysis, new ideas of sexuality, primitive art and surrealism all had an influence on Moore’s work.

Highlights of the show include a group of key reclining figures carved in Elm, which illustrate the development of this key image over his career. Moore was an Official War Artist and his drawings of huddled Londoners sheltering from the onslaught of the Blitz captured the popular imagination, winning him a place in the hearts of the public. Don’t miss this fantastic opportunity to truly understand this artist’s much-loved work.

Text: ArtRabbit

Opening times: 10.00 – 17.50 daily

Location: Tate Britain, Millbank, London, SW1P 4RG, United Kingdom

For more information, visit: www.tate.org.uk/britain/